The Freemium Model: Smashing Pumpkins’ Teargarden by Kaleidyscope

The Freemium sales model is one that should interest musicians. In short, it involves giving away a product or service that helps you sell an improved, premium version of that product or service. It’s not quite like a free trial — there aren’t usually time limits or a limited number of uses, although there may be other limits on the service.

You draw in a large number of people with something useful that they can have for nothing (although you may derive some value from their use of your product/service: viral marketing, customer data, ad revenue, or your product might be more useful the more people that use it, like a social networking website). You are then in a better position to sell a premium product to a small percentage of those people based on more features, better quality or some other selling point. The advantage to the consumer is that they get something useful as well as a taste for the quality and value of your premium product.

Smashing Pumpkins’ latest project, Teargarden by Kaleidyskope fits the Freemium model nicely.



THE SMASHING PUMPKINS are issuing a 44-song work one at a time, for free, with 4-song EPs being made available as the songs are released. The first EP box (4-song CD and 7” vinyl) is titled TEARGARDEN BY KALEIDYSCOPE VOL. 1/SONGS FOR A SAILOR and is set for release April 20 via Martha’s Music/Rocket Science Ventures and includes the tracks “A Song For A Son,” “Astral Planes” “Widow Wake My Mind,” and “A Stitch In Time.”

The group’s BILLY CORGAN says, “Each song will be made available absolutely for free, to anyone anywhere. There will be no strings attached. Free will mean free, which means you won’t have to sign up for anything, give an email address, or jump through a hoop. You will be able to go and take the song or songs as you wish, as many times as you wish.”

The music will not only be issued online, CORGAN has revealed. “We will sell highly limited edition EPs (of 4 songs each times 11), and details of how those EPs will be made available are still being worked out. Because the songs themselves will be free, the EPs will be more like collector’s items for the discerning fan who will want the art itself, along with the highest possible audio quality available. The EPs will be more like mini-box sets rather than your normal CD single. We may also offer other variations for sale–say for example, a digital single with a demo version of a song.”

Upon the album’s completion, explained CORGAN, “it will be compiled into a deluxe box set which will also be made available for sale. Those who have bought the EPs need not worry, as the box set will not be a recompilation of the limited edition pieces.”

This is the kind of thing I love, and, I think, another example of a great model for releasing music in the future.

When CDs (cassettes, LPs etc.) were the only way to hear recorded music, people bought CDs because it was indistinguishable from buying music. Now, there are plenty of other, better, cheaper (or free) ways to get music so you have to sell a CD as a product itself instead of just a vessel for music (the Premium product). Here, the EPs and full, 44-track compilation will be very tempting for Smashing Pumpkins fans and also collectors who will want a physical product with high-quality audio and, I’m sure, plenty of original artwork, liner notes and packaging that can only be achieved in a physical release.

To make downloads free (the Free product) acknowledges that a piece of recorded music is no longer scarce (in fact, digital data is in infinite supply), and therefore worthless to the consumer in terms of price, but certainly not in value. I know I’ve bought more than one album on CD after being given a copy from a friend.

One Reply to “The Freemium Model: Smashing Pumpkins’ Teargarden by Kaleidyscope

  1. Really cool post. Definitely agree this is the way the independent industry should be going, doubt the majors will catch up though!

    Had some similar thoughts here

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